A Star-Studded Crime Drama Struggles Under the Weight of Overstuffed Storylines
Paramount+ has unveiled MobLand, the latest crime drama from director Guy Ritchie, boasting a powerhouse cast led by Tom Hardy and Pierce Brosnan. With its gritty storytelling and high-stakes mob warfare, the series promises an intense underworld saga, but early reactions suggest it may be burdened by its own ambition.
At the heart of MobLand is the formidable Harrigan crime family, helmed by patriarch Conrad Harrigan (Brosnan) and matriarch Maeve (Helen Mirren), with Paddy Considine as their son, Kevin. Tom Hardy takes center stage as Harry Da Souza, a fiercely loyal enforcer caught in a world of shifting alliances and brutal power struggles.
The show’s main conflict erupts when the fragile truce between Conrad and rival crime boss Richie Stevenson (Geoff Bell) shatters after Stevenson’s son mysteriously vanishes following an encounter with Conrad’s grandson. As tensions escalate, a violent mob war looms, creating an intense and suspenseful premise that serves as MobLand‘s strongest narrative thread. Hardy’s brooding performance, combined with Ritchie’s signature stylish direction, provides the series with undeniable cinematic flair.
Despite its promising setup, the MobLand premiere has left audiences divided. While some viewers have praised the action sequences and performances, others argue that the episode tries to juggle too many subplots, ultimately diluting its impact.
A particular point of criticism is Harry’s troubled marriage to Jan (Joanne Froggatt), a subplot that, according to some, detracts from the main storyline without delivering substantial emotional weight. Critics have also pointed out the show’s pacing issues, describing it as “overwritten” and “disjointed.” Social media reactions have echoed these sentiments, with some calling for a more streamlined script that focuses on the core mob war narrative.
While the series premiere may have struggled with narrative overload, reports suggest that episode two takes a more focused approach, honing in on the escalating crime war and refining its storytelling. With eight episodes still to come, MobLand has time to course-correct and solidify its place among Ritchie’s best crime dramas.
For now, MobLand delivers all the hallmarks of a gripping mob saga—powerful performances, tense confrontations, and cinematic action sequences. If it can rein in its sprawling storylines, it may yet carve out a place as a standout crime thriller in an already crowded genre.