What is Pink Neorealism and What’s the Movie That’s Bringing It Back?

Italian cinema has a rich tradition that spans various genres and styles, each contributing uniquely to the global cinematic tapestry. One such genre that has garnered renewed interest is Italian Pink Neorealism, a movement that combines elements of Neorealism with a focus on contemporary romantic narratives. Originating in the post-war period, Neorealism emerged as a response to the socio-political realities of Italy at the time, emphasizing authenticity, everyday life, and the struggles of ordinary people.

Neorealism’s influence extended into the 1950s and 1960s, evolving to incorporate more nuanced portrayals of human emotions and relationships. This gave rise to Pink Neorealism, characterized by its exploration of love, passion, and personal growth within the framework of Neorealist aesthetics. The genre often juxtaposes the beauty of Italian landscapes with the complexities of human experience, creating a poignant cinematic experience that resonates deeply with audiences. 

Why “pink”?

The term “pink” in Pink Neorealism signifies the genre’s departure from the bleakness of traditional neorealism. Classic neorealism, epitomized by films like “Bicycle Thieves” and “Rome, Open City,” focused on the harsh realities of post-war Italy, emphasizing poverty, suffering, and social injustice. In contrast, Pink Neorealism introduced a lighter, more hopeful perspective, often incorporating elements of comedy and romance. This shift in tone made these films more accessible and appealing to a broader audience, reflecting the changing mood and aspirations of Italian society in the late 1950s and early 1960s. 

Here are some previous examples of Pink Neorealism films.

“Poveri ma belli” (1957) – “Poor But Beautiful”

Directed by Dino Risi, “Poveri ma belli” is a quintessential example of Pink Neorealism. The film centers around two young Roman men, Romolo and Salvatore, who fall in love with the same girl, Giovanna. The narrative explores their humorous and heartfelt attempts to win her affection while navigating the challenges of working-class life. Unlike the somber tone of earlier neorealist films, “Poveri ma belli” is infused with a sense of youthful exuberance and optimism, highlighting the joys and aspirations of everyday people.

“Il Sorpasso” (1962) – “The Easy Life”

Another notable film in this genre is “Il Sorpasso,” directed by Dino Risi. This film follows the carefree, impulsive Bruno (Vittorio Gassman) and the shy, reserved Roberto (Jean-Louis Trintignant) on a road trip across Italy. Their journey becomes a metaphor for the contrasting attitudes towards life in post-war Italy. “Il Sorpasso” balances comedic elements with deeper social commentary, reflecting the changing dynamics of Italian society. The film’s blend of humor, romance, and introspection exemplifies the Pink Neorealism approach.

“Divorzio all’italiana” (1961) – “Divorce Italian Style”

Directed by Pietro Germi, “Divorzio all’italiana” is a satirical take on the complexities of love and marriage in Italy. The film stars Marcello Mastroianni as Ferdinando, a nobleman desperate to rid himself of his wife so he can marry his young cousin. His convoluted scheme to achieve this goal leads to a series of humorous and unexpected events. “Divorzio all’italiana” combines sharp wit with a critique of societal norms, making it a standout example of Pink Neorealism.

“La ciociara (1960) – “Two Women” 

While this great film directed by Vittorio De Sica is often categorized under classic neorealism due to its intense and tragic portrayal of war and its aftermath, it also contains elements that resonate with Pink Neorealism. The film, starring Sophia Loren in an Academy Award-winning role, tells the harrowing story of a mother and her daughter trying to survive during World War II. Despite its grim subject matter, “Two Women” incorporates moments of tenderness and resilience, focusing on the emotional strength and love between the two main characters. These aspects, along with the film’s emphasis on personal relationships and human dignity amidst adversity, align with the more humanistic and hopeful undertones of Pink Neorealism, illustrating that even in the darkest times, light and compassion can emerge.

“Sicilian Holiday”

Now “Sicilian Holiday continues the tradition of Pink Neoreaism and brings it to a contemporary vantage for today’s audiences. Director Michela Scolari’s debut feature film, now streaming on Amazon, Google, and Vudu, is poised to revive and redefine Pink Neorealism for contemporary audiences. Set against the idyllic backdrop of Sciacca, a picturesque fishing village on the southern coast of Sicily, the film introduces Mia, portrayed by Lilly Engliert, an American film star grappling with personal demons and the pressures of her career. Her journey of self-discovery unfolds as she encounters Nino, a local sculptor played by Francesco Leone, and his enigmatic brother, portrayed by Ivo Romagnoli. What begins as a chance encounter soon develops into a complex love triangle that forces Mia to confront her deepest fears and desires.

Director Michela Scolari’s vision for “Sicilian Holiday” transcends the conventions of traditional romantic comedies by infusing the narrative with elements of Neorealism. Inspired by iconic literary and cinematic heroines who found solace and renewal in Italy, Scolari aims to break away from the stereotypes often associated with Italian settings in Hollywood films. She portrays Sicily not merely as a backdrop but as a vibrant character in its own right—a place where Mia finds healing amidst the children who seem to live on streets and stairs, old men playing cards, and ancient monuments confronting life today. 

Authentic Connections

The concept of Pink Neorealism in “Sicilian Holiday” is exemplified through its portrayal of authentic human connections and the transformative power of self-acceptance, with music and humor added to the mix. Scolari’s deliberate choice to blend the raw authenticity of Neorealism with a contemporary romantic narrative underscores her commitment to redefining the genre. By capturing the essence of Sicilian culture and its people with sensitivity and respect, Scolari invites audiences to experience the profound beauty and complexity of life through Mia’s emotional journey.

In-the-know film buffs and industry insiders have eagerly anticipated “Sicilian Holiday” for its innovative approach to storytelling and its potential to reignite interest in Pink Neorealism. The film promises to captivate audiences with its breathtaking cinematography, compelling performances, and a narrative that celebrates the resilience of the human spirit. As viewers prepare to embark on Mia’s transformative odyssey through the heart of Sicily, “Sicilian Holiday” emerges as a beacon of hope and renewal in the realm of contemporary cinema.

The New Pink

With its exploration of love, self-discovery, and the timeless allure of Italy, “Sicilian Holiday” stands poised to not only entertain but also inspire audiences worldwide. As Pink Neorealism finds new expression through Michela Scolari’s directorial debut, the film serves as a testament to the enduring power of cinema to transcend borders and touch hearts.

Pink Neorealism represents a unique and important phase in Italian cinema, blending the realism of everyday life with a touch of humor and romance. Now, with “Sicilian Holiday,” it re-emerges as a profound new element of World Cinema. By focusing on the lighter side of life while still addressing significant social themes, Pink Neorealism offers a refreshing and engaging cinematic experience that continues to resonate with audiences today.

So, prepare to be swept away by “Sicilian Holiday”—a new cinematic masterpiece that redefines Pink Neorealism for our generation, inviting us all to rediscover the beauty of life’s journey through the lens of Italian cinema’s most cherished traditions.